In 2009, Matthieu, a passionate collector of Art Toys decided to provide an alternative to the production of toys in vinyl and founded the K.Olin Tribu company.
The figurines issued by K.Olin Tribu are made and decorated in Limoges, and therefore they benefit from the official label Porcelaine de Limoges, France.
Mission :Bringing porcelain to the creative worlds of graphic designers, illustrators, toy designers and artists allows a new approach to decorative figurines, whether in limited editions or as unique pieces.
K.Olin Tribu is based in Limoges (France) but its reach is worldwide, with the involvement of artists from the world of graffiti, Street Art and Art.
The figurines issued by K.Olin Tribu are made and decorated in Limoges, and therefore they benefit from the official label Porcelaine de Limoges, France
Porcelain, symbol of luxury and refinement, attracts collectors of unique pieces more than ever. K.Olin Tribu approaches all new creations in the spirit of such unique pieces. Each piece is made with the utmost care to ensure flawless production. This quality-focused process covers the initial production of the plaster models through to final packaging.
Wild Kong Porcelain
Series of 20 pieces only, all numbered. Porcelain not enameled.
Made in Limoges , France certified.
Size: 28 x 20 x 9 cm
Delivered in a wooden serigraphy.
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Richard Orlinski is a French sculptor. He was born in Paris in 1966. He studied at the National Fine Arts School in Neuilly-sur-Seine, and then chose to devote to sculpture.
He now explores the medium of sculpture using industrial materials he enlivens with references of the Pop Art movement that has nourished his childhood and has never stopped improving his work. His preferred materials are resin and aluminum used according to the foundry process. His art is far from the conventions, but close to his time. Richard Orlinski is in the range of these artists who claim an actual art which, through industrial means, wants to create works asking questions about perception codes in our consuming society. Following a logical of demultiplication and repetition, he condemns the logic of the series production in the cultural industry.
From his preferred object, the croco, to more rigorous works, Richard Orlinski offers a panorama of what the Contemporary Art can present. Question the perception of the society in front of the Contemporary Art by creating works which play on different levels : a visual impact, a popular iconography, the notion of human instinct, and at the same time revisit the Art History.
So much ways to underline the question of the impact of the Contemporary Art on the public space and the perception of the publics, art collectors or uninitiated.